Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Copy of Titian's The Rape of Europa (df01) oil painting


Copy of Titian's The Rape of Europa (df01)
peter Paul Rubens 1628 Madrid Museo del Prado
Painting ID::  22585
Diego Velazquez
Copy of Titian's The Rape of Europa (df01)
peter Paul Rubens 1628 Madrid Museo del Prado
   
   
     

Diego Velazquez The Fable of Arachne (Las Hilanderas) (df01) oil painting


The Fable of Arachne (Las Hilanderas) (df01)
c 1644-1648
Painting ID::  22586
Diego Velazquez
The Fable of Arachne (Las Hilanderas) (df01)
c 1644-1648
   
   
     

Diego Velazquez Infanta Maria Teresa (df01) oil painting


Infanta Maria Teresa (df01)
1648
Painting ID::  22587
Diego Velazquez
Infanta Maria Teresa (df01)
1648
   
   
     

Diego Velazquez Infanta Maria Teresa (df01) oil painting


Infanta Maria Teresa (df01)
1651 x 1652
Painting ID::  22588
Diego Velazquez
Infanta Maria Teresa (df01)
1651 x 1652
   
   
     

Diego Velazquez Juan de Pareja (detail) (df01) oil painting


Juan de Pareja (detail) (df01)
1649-1650
Painting ID::  22589
Diego Velazquez
Juan de Pareja (detail) (df01)
1649-1650
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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