Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez St Anthony Abbot (df01) oil painting


St Anthony Abbot (df01)
1635-1638
Painting ID::  22580
Diego Velazquez
St Anthony Abbot (df01)
1635-1638
   
   
     

Diego Velazquez St Anthony Abbot and St.paul the Hermit (df01) oil painting


St Anthony Abbot and St.paul the Hermit (df01)
1635-1638
Painting ID::  22581
Diego Velazquez
St Anthony Abbot and St.paul the Hermit (df01)
1635-1638
   
   
     

Diego Velazquez Arachne (A Sibyl) (df01) oil painting


Arachne (A Sibyl) (df01)
c 1644-1648
Painting ID::  22582
Diego Velazquez
Arachne (A Sibyl) (df01)
c 1644-1648
   
   
     

Diego Velazquez venus at her Mirror (df01) oil painting


venus at her Mirror (df01)
c 1644-1648
Painting ID::  22583
Diego Velazquez
venus at her Mirror (df01)
c 1644-1648
   
   
     

Diego Velazquez Ignudi (df01) oil painting


Ignudi (df01)
Michelangelo 1508-1512
Painting ID::  22584
Diego Velazquez
Ignudi (df01)
Michelangelo 1508-1512
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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