Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Detail of the water seller of Sevilla oil painting


Detail of the water seller of Sevilla
mk191 Oil on canvas a cup of water
Painting ID::  48658
Diego Velazquez
Detail of the water seller of Sevilla
mk191 Oil on canvas a cup of water
   
   
     

Diego Velazquez Aesop oil painting


Aesop
mk214 c.1640 Oil on canvas 179x94cm
Painting ID::  50657
Diego Velazquez
Aesop
mk214 c.1640 Oil on canvas 179x94cm
   
   
     

Diego Velazquez Aesop oil painting


Aesop
mk214 1778 Etching 30.5x22c m
Painting ID::  50658
Diego Velazquez
Aesop
mk214 1778 Etching 30.5x22c m
   
   
     

Diego Velazquez Los Borrachos oil painting


Los Borrachos
mk214 c.1628 Oil on canvas 165x225cm
Painting ID::  50659
Diego Velazquez
Los Borrachos
mk214 c.1628 Oil on canvas 165x225cm
   
   
     

Diego Velazquez Las Meninas oil painting


Las Meninas
mk214 1656 Oil on canvas
Painting ID::  50729
Diego Velazquez
Las Meninas
mk214 1656 Oil on canvas
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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