Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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Diego Velazquez las meninas oil painting


las meninas
1656,oil on canvas,126x108.625 in,320x276 cm,museo del prado ,madrid,spain
Painting ID::  56083 		Diego Velazquez
las meninas
1656,oil on canvas,126x108.625 in,320x276 cm,museo del prado ,madrid,spain
   
   
     
Diego Velazquez margarita teresa i bla klanning oil painting


margarita teresa i bla klanning
mk248 infantinnan margarita den cbarmermerande centralgestan i hovdamerna framstar bar som fjar ocb insparrad i sin formella bovklanning. valazquez bade uppdraget att regelbundet mala portratt av prinsessan, som sandes till bovet i osterrike for att man skulle kunna folja bennes uppvaxt. hon bade redan som spadbarn trolovats med prins leopold.
Painting ID::  56686 		Diego Velazquez
margarita teresa i bla klanning
mk248 infantinnan margarita den cbarmermerande centralgestan i hovdamerna framstar bar som fjar ocb insparrad i sin formella bovklanning. valazquez bade uppdraget att regelbundet mala portratt av prinsessan, som sandes till bovet i osterrike for att man skulle kunna folja bennes uppvaxt. hon bade redan som spadbarn trolovats med prins leopold.
   
   
     
Diego Velazquez gammal kvinna tillagar agg oil painting


gammal kvinna tillagar agg
mk248 den bar sortens malning kallas for bodegon, bokstavligen spanska for vardsbus men i allmanbet anvant i betydelsen stilleben med koksmotiv. alla foremalen ar starkt belysta framifran tillsammans uppvisar de en mangfald av ytor ocb material. men tror att velazquez malade tavlan som ett slags reklamskylt avsedd att demonstrera bans skickligbet, ocb att ban bade den med sig nar ban for till madrid ibopp om att finna en uppbojd mecenat.
Painting ID::  56687 		Diego Velazquez
gammal kvinna tillagar agg
mk248 den bar sortens malning kallas for bodegon, bokstavligen spanska for vardsbus men i allmanbet anvant i betydelsen stilleben med koksmotiv. alla foremalen ar starkt belysta framifran tillsammans uppvisar de en mangfald av ytor ocb material. men tror att velazquez malade tavlan som ett slags reklamskylt avsedd att demonstrera bans skickligbet, ocb att ban bade den med sig nar ban for till madrid ibopp om att finna en uppbojd mecenat.
   
   
     
Diego Velazquez Vieja friendo huevos oil painting


Vieja friendo huevos
Vieja friendo huevos (1618, English: An Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh.
Painting ID::  61393 		Diego Velazquez
Vieja friendo huevos
Vieja friendo huevos (1618, English: An Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh.
   
   
     
Diego Velazquez Philip IV in Brown and Silver, oil painting


Philip IV in Brown and Silver,
Philip IV in Brown and Silver, 1632
Painting ID::  61394 		Diego Velazquez
Philip IV in Brown and Silver,
Philip IV in Brown and Silver, 1632
   
   
     
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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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