Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Rokeby Venus oil painting


Rokeby Venus
mk214 c.1650 Oil on canvas 122.7x177cm
Painting ID::  50735
Diego Velazquez
Rokeby Venus
mk214 c.1650 Oil on canvas 122.7x177cm
   
   
     

Diego Velazquez Las Menin oil painting


Las Menin
mk234 1656 318x276cm
Painting ID::  53802
Diego Velazquez
Las Menin
mk234 1656 318x276cm
   
   
     

Diego Velazquez Francisco Lezcano oil painting


Francisco Lezcano
mk234 1636-38 107x83cm
Painting ID::  53803
Diego Velazquez
Francisco Lezcano
mk234 1636-38 107x83cm
   
   
     

Diego Velazquez Christ on the crosses oil painting


Christ on the crosses
mk234 1631-32 248x169cm
Painting ID::  53804
Diego Velazquez
Christ on the crosses
mk234 1631-32 248x169cm
   
   
     

Diego Velazquez Vulcanus- smithy oil painting


Vulcanus- smithy
mk234 1630 223x290cm
Painting ID::  53806
Diego Velazquez
Vulcanus- smithy
mk234 1630 223x290cm
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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