Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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Giovanni Battista Tiepolo Alexander der GroBe und Campaspe im Atelier des Apelles oil painting


Alexander der GroBe und Campaspe im Atelier des Apelles
Oil on canvas Dimensions Deutsch: 54 x 74 cm cyf
Painting ID::  87961
Giovanni Battista Tiepolo
Alexander der GroBe und Campaspe im Atelier des Apelles
Oil on canvas Dimensions Deutsch: 54 x 74 cm cyf
   
   
     

Giovanni Battista Tiepolo The Annunciation oil painting


The Annunciation
1725(1725) Medium Oil on canvas cyf
Painting ID::  87968
Giovanni Battista Tiepolo
The Annunciation
1725(1725) Medium Oil on canvas cyf
   
   
     

Giovanni Battista Tiepolo Die Verstobung der Hagar oil painting


Die Verstobung der Hagar
1719(1719) Medium Oil on canvas Dimensions Deutsch: 96 x 136 cm cjr
Painting ID::  88092
Giovanni Battista Tiepolo
Die Verstobung der Hagar
1719(1719) Medium Oil on canvas Dimensions Deutsch: 96 x 136 cm cjr
   
   
     

Giovanni Battista Tiepolo Erscheinung der Madonna vor dem Hl. Philippus Neri oil painting


Erscheinung der Madonna vor dem Hl. Philippus Neri
1739-1740 Medium Oil on canvas Dimensions 360 x 182 cm (141.7 x 71.7 in) cjr
Painting ID::  88477
Giovanni Battista Tiepolo
Erscheinung der Madonna vor dem Hl. Philippus Neri
1739-1740 Medium Oil on canvas Dimensions 360 x 182 cm (141.7 x 71.7 in) cjr
   
   
     

Giovanni Battista Tiepolo Portrat des Antonio Riccobono, Fragment oil painting


Portrat des Antonio Riccobono, Fragment
c. 1745 Medium oil on canvas Dimensions Deutsch: 120 x 90 cm cjr
Painting ID::  88969
Giovanni Battista Tiepolo
Portrat des Antonio Riccobono, Fragment
c. 1745 Medium oil on canvas Dimensions Deutsch: 120 x 90 cm cjr
   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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