Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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Giovanni Battista Tiepolo Venus und Vulcanus oil painting


Venus und Vulcanus
1758-1760 Medium oil on canvas Dimensions Deutsch: 69 x 87 cm cjr
Painting ID::  90259
Giovanni Battista Tiepolo
Venus und Vulcanus
1758-1760 Medium oil on canvas Dimensions Deutsch: 69 x 87 cm cjr
   
   
     

Giovanni Battista Tiepolo Eteokles und Polyneikes oil painting


Eteokles und Polyneikes
c. 1725-1730 Medium oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
Painting ID::  90756
Giovanni Battista Tiepolo
Eteokles und Polyneikes
c. 1725-1730 Medium oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
   
   
     

Giovanni Battista Tiepolo Opfer der Iphigenie oil painting


Opfer der Iphigenie
Mid-18th century Medium oil on canvas Dimensions Deutsch: 53 x 41 cm cjr
Painting ID::  90777
Giovanni Battista Tiepolo
Opfer der Iphigenie
Mid-18th century Medium oil on canvas Dimensions Deutsch: 53 x 41 cm cjr
   
   
     

Giovanni Battista Tiepolo Erziehung Mariens oil painting


Erziehung Mariens
c. 1732 Medium oil on canvas Dimensions Deutsch: 362 x 200 cm cjr
Painting ID::  90999
Giovanni Battista Tiepolo
Erziehung Mariens
c. 1732 Medium oil on canvas Dimensions Deutsch: 362 x 200 cm cjr
   
   
     

Giovanni Battista Tiepolo Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde oil painting


Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde
c. 1753 Medium oil on canvas Dimensions Deutsch: 39 x 62 cm cjr
Painting ID::  91210
Giovanni Battista Tiepolo
Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde
c. 1753 Medium oil on canvas Dimensions Deutsch: 39 x 62 cm cjr
   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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