Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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Giovanni Battista Tiepolo Hagar und Ismael, Pendant zu oil painting


Hagar und Ismael, Pendant zu
c. 1732 Medium oil on canvas Dimensions Deutsch: 140 x 120 cm cjr
Painting ID::  89247
Giovanni Battista Tiepolo
Hagar und Ismael, Pendant zu
c. 1732 Medium oil on canvas Dimensions Deutsch: 140 x 120 cm cjr
   
   
     

Giovanni Battista Tiepolo Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes oil painting


Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes
c. 1740 Medium oil on canvas Dimensions Deutsch: 340 x 168 cm cjr
Painting ID::  89262
Giovanni Battista Tiepolo
Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes
c. 1740 Medium oil on canvas Dimensions Deutsch: 340 x 168 cm cjr
   
   
     

Giovanni Battista Tiepolo Triumphzug der Fortitudo und der Sapienzia oil painting


Triumphzug der Fortitudo und der Sapienzia
c. 1745-1750 Medium oil on canvas Dimensions Deutsch: 299 x 379 cm cjr
Painting ID::  89420
Giovanni Battista Tiepolo
Triumphzug der Fortitudo und der Sapienzia
c. 1745-1750 Medium oil on canvas Dimensions Deutsch: 299 x 379 cm cjr
   
   
     

Giovanni Battista Tiepolo Rinaldo und Armida werden von Ubaldo und Carlo uberrascht oil painting


Rinaldo und Armida werden von Ubaldo und Carlo uberrascht
1755(1755) Medium oil on canvas Dimensions Deutsch: 187 x 260 cm cjr
Painting ID::  90188
Giovanni Battista Tiepolo
Rinaldo und Armida werden von Ubaldo und Carlo uberrascht
1755(1755) Medium oil on canvas Dimensions Deutsch: 187 x 260 cm cjr
   
   
     

Giovanni Battista Tiepolo Die Enthauptung Johannes des Taufers oil painting


Die Enthauptung Johannes des Taufers
c. 1732 Medium oil on canvas cjr
Painting ID::  90190
Giovanni Battista Tiepolo
Die Enthauptung Johannes des Taufers
c. 1732 Medium oil on canvas cjr
   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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