Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli Last miracle child revived by the Deacons Eugenius and Crescentius (mk36) oil painting


Last miracle child revived by the Deacons Eugenius and Crescentius (mk36)
1495-1500 Dresden,Staatliche Kunstsammlungen Gemaldegalerie Alte Meister.
Painting ID::  25152
Sandro Botticelli
Last miracle child revived by the Deacons Eugenius and Crescentius (mk36)
1495-1500 Dresden,Staatliche Kunstsammlungen Gemaldegalerie Alte Meister.
   
   
     

Sandro Botticelli Stories of Lucretia (mk36) oil painting


Stories of Lucretia (mk36)
1500-1504 Detail of the attack on Lucretia. Boston,Isabella Stewart Gardner Museum
Painting ID::  25154
Sandro Botticelli
Stories of Lucretia (mk36)
1500-1504 Detail of the attack on Lucretia. Boston,Isabella Stewart Gardner Museum
   
   
     

Sandro Botticelli Stories of Virginia (mk360 oil painting


Stories of Virginia (mk360
1500-1504 detail of Virginia attacked among the women. Bergamo,Accademia Carrara
Painting ID::  25155
Sandro Botticelli
Stories of Virginia (mk360
1500-1504 detail of Virginia attacked among the women. Bergamo,Accademia Carrara
   
   
     

Sandro Botticelli Stories of Lucretia (mk36) oil painting


Stories of Lucretia (mk36)
1500-1504 Boston,Isabella Stewart Gardner Museum
Painting ID::  25157
Sandro Botticelli
Stories of Lucretia (mk36)
1500-1504 Boston,Isabella Stewart Gardner Museum
   
   
     

Sandro Botticelli Stories of Virginia (mk36) oil painting


Stories of Virginia (mk36)
Bergamo,Accademia Carrara
Painting ID::  25159
Sandro Botticelli
Stories of Virginia (mk36)
Bergamo,Accademia Carrara
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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