Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli Madonna and CHild with an Angel oil painting


Madonna and CHild with an Angel
c 1465 Ajaccio,Fesch Museum (mk57)
Painting ID::  26807
Sandro Botticelli
Madonna and CHild with an Angel
c 1465 Ajaccio,Fesch Museum (mk57)
   
   
     

Sandro Botticelli Filippo Lippi,Madonna with Child and Angels or Uffizi Madonna oil painting


Filippo Lippi,Madonna with Child and Angels or Uffizi Madonna
1464--1465 Florence,Galleria degli Uffizi (mk57)
Painting ID::  26809
Sandro Botticelli
Filippo Lippi,Madonna with Child and Angels or Uffizi Madonna
1464--1465 Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli Madonna with Child and an Angel oil painting


Madonna with Child and an Angel
c 1465 Florence,Museo dello Spedale degli Innocenti
Painting ID::  26811
Sandro Botticelli
Madonna with Child and an Angel
c 1465 Florence,Museo dello Spedale degli Innocenti
   
   
     

Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St John the Baptist oil painting


Madonna of the Rose Garden or Madonna and Child with St John the Baptist
C 1468 Detail Paris Musee du Louvre (mk57)
Painting ID::  26813
Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St John the Baptist
C 1468 Detail Paris Musee du Louvre (mk57)
   
   
     

Sandro Botticelli Madonna and Child in Glory with Cherubim oil painting


Madonna and Child in Glory with Cherubim
1469--1470 Florence,Galleria degli Uffizi (mk57)
Painting ID::  26816
Sandro Botticelli
Madonna and Child in Glory with Cherubim
1469--1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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