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virgin and child with st,
new22/Francisco de Zurbaran-976997.jpg
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virgin_and_child_with_st,
john. 1658
oil on canvas, 137x104cm
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la porciuncula
new22/Francisco de Zurbaran-368235.jpg
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la_porciuncula
1661
oil on canvas, 198x155cm
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christ recovers his tunic after being whipped
new22/Francisco de Zurbaran-932984.jpg
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christ_recovers_his_tunic_after_being_whipped
1661
oil on canvas. 167x107cm
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st. jacobo de la marca
new22/Francisco de Zurbaran-866335.jpg
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st._jacobo_de_la_marca
1658-1664
oil on canvas, 291x165cm
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virgin and child with st.
new22/Francisco de Zurbaran-364574.jpg
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virgin_and_child_with_st.
john.1662
oil on canvas, 165x127cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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