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mystical betrothal of st,catalina de siena
new22/Francisco de Zurbaran-535353.jpg
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mystical_betrothal_of_st,catalina_de_siena
1641-1658
oil on canvas, 109x100cm
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st, dorotea.
new22/Francisco de Zurbaran-832763.jpg
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st,_dorotea.
1641-1658
oil on canvas, 172x102cm
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david
new22/Francisco de Zurbaran-998492.jpg
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david
1641-1658
oiln on canvas
private collection, madrid
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almanzor
new22/Francisco de Zurbaran-977387.jpg
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almanzor
1641-1658
oil on canvas, 200x104cm
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virgin of the rosary
new22/Francisco de Zurbaran-624993.jpg
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virgin_of_the_rosary
1641-1658
oil on canvas 181x102cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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