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st. toma,s de villanueva helping a cripple
new22/Francisco de Zurbaran-336722.jpg
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st._toma,s_de_villanueva_helping_a_cripple
1658-1664
oil on canvas, 140x82cm
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st. francis meditating
new22/Francisco de Zurbaran-364758.jpg
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st._francis_meditating
1658-1664
oil on canvas, 64x53cm
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doctor in law from the university of salamanca
new22/Francisco de Zurbaran-953287.jpg
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doctor_in_law_from_the_university_of_salamanca
1658-1664
oil on canvas, 194x103cm
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virgin and child with st
new22/Francisco de Zurbaran-872737.jpg
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virgin_and_child_with_st
1658-1664
oil on canvas, 130x100cm
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around
new22/Francisco de Zurbaran-542235.jpg
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around
1635-1640
oil on canvas, 46x84cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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