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Santa Dorotea
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Santa_Dorotea
Santa Dorotea con un cesto de manzanas y rosas, ??leo sobre lienzo, 180,2 x 101,5 cm O/L. inscripci??n: S. DOrOTEA,
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La defensa de Cadiz
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La_defensa_de_Cadiz
1634(1634)
Oil on canvas
Deutsch: 302 X 323 cm
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San Hugo en el Refectorio
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San_Hugo_en_el_Refectorio
San Hugo en el Refectorio, oil on canvas, 262 x 307 cm.
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Betende Jungfrau Maria
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Betende_Jungfrau_Maria
Medium Oil on canvas
Dimensions Expression error: Missing operand for *117 ?? 94 cm
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Saint Agnes
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Saint_Agnes
Date from 1635(1635) until 1642(1642)
Medium Oil on canvas
Dimensions 97 x 74 cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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