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Celebration of the Grape Harvest
new12/Karl Briullov-533448.jpg
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Celebration_of_the_Grape_Harvest
mk149
1827
Watercolour onp paper
16.7x22.5cm
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A mother Waking up from her Child-s Crying
new12/Karl Briullov-236949.jpg
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A_mother_Waking_up_from_her_Child-s_Crying
mk149
1831
Spia on cardboard
22.5x28cm
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Bathsheba
new12/Karl Briullov-359585.jpg
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Bathsheba
mk149
1832
Oil on canvas
173x125.5cm
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An Italian Family
new12/Karl Briullov-834937.jpg
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An_Italian_Family
mk149
Watercolorur on cardboard
18.8x22.4cm
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Italian Midday
new12/Karl Briullov-855369.jpg
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Italian_Midday
mk149
1827
Oil on canvas
64x55cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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