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Young Girl Gathering Grapes in the Neighbourhood of Naples
new12/Karl Briullov-782593.jpg
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Young_Girl_Gathering_Grapes_in_the_Neighbourhood_of_Naples
mk149
1827
Oil on canvas
62x52.5cm
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Portrait of Domenico Marini
new12/Karl Briullov-725529.jpg
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Portrait_of_Domenico_Marini
mk149
1828-30
Oil on canvas
50x62cm
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Vaulter
new12/Karl Briullov-223677.jpg
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Vaulter
mk149
1829
Oil on canvas
43x30cm
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An Italian Woman Lighting a lamp bfore the Image of the Madonna
new12/Karl Briullov-663535.jpg
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An_Italian_Woman_Lighting_a_lamp_bfore_the_Image_of_the_Madonna
mk149
1835
Watercolour ,lead pencil and Indian ink on paper
20x19cm
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Rider.Double Portrait of Giovanina and Amazilia Pacini
new12/Karl Briullov-978453.jpg
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Rider.Double_Portrait_of_Giovanina_and_Amazilia_Pacini
mk149
1832
Oil on canvas
291.5x206cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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