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Christus am Kreuz
new25/Francisco de Zurbaran-585855.jpg
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Christus_am_Kreuz
Date 1627(1627)
Medium Oil on canvas
Dimensions Deutsch: 290 x 168 cm
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Barmherzigkeit des Fra Martin de Vizcaya, Detail
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Barmherzigkeit_des_Fra_Martin_de_Vizcaya,_Detail
Date 1639(1639)
Medium Oil on canvas
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Apotheose des Hl. Thomas von Aquin
new25/Francisco de Zurbaran-655394.jpg
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Apotheose_des_Hl._Thomas_von_Aquin
Date 1631(1631)
Medium Oil on canvas
Dimensions Deutsch: 475 x 375 cm
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Unbefleckte Empfangnis
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Unbefleckte_Empfangnis
Date 1661(1661)
Medium Oil on canvas
Dimensions 136 x 102 cm
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La Inmaculada Concepcion
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La_Inmaculada_Concepcion
1661(1661)
Medium Oil on canvas
Dimensions 136 x 102 cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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