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Vision des Alonso Rodriguez
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Vision_des_Alonso_Rodriguez
Date 1630(1630)
Medium Oil on canvas
Dimensions 266 x 167 cm
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Plato con limones cesta con naranjas y taza con una rosa
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Plato_con_limones_cesta_con_naranjas_y_taza_con_una_rosa
1633(1633)
Medium Oil on canvas
Dimensions Deutsch: 60 x 107 cm
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Die Verteidigung von Cadiz
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Die_Verteidigung_von_Cadiz
1634(1634)
Medium Oil on canvas
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Saint Luke as a painter, before Christ on the Cross
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Saint_Luke_as_a_painter,_before_Christ_on_the_Cross
1635-1640
Medium Oil on canvas
Dimensions Deutsch: 105 x 84 cm
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Thomas von Aquin
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Thomas_von_Aquin
1631(1631)
Medium Oil on canvas
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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