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La Anunciacion
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La_Anunciacion
1638
Medium oil on canvas
Dimensions Deutsch: 261 x 175 cm
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Hl. Romanus und Hl. Barulas von Antiochien
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Hl._Romanus_und_Hl._Barulas_von_Antiochien
1638(1638)
Medium oil on canvas
Dimensions Deutsch: 246 x 185 cm
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Vision des Alonso Rodriguez
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Vision_des_Alonso_Rodriguez
1630(1630)
Medium oil on canvas
Dimensions 266 X 167 cm
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Kontemplation des Jesusknaben uber die Dornenkrone
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Kontemplation_des_Jesusknaben_uber_die_Dornenkrone
1630(1630)
Medium oil on canvas
Dimensions 165 X 230 cm
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Der Hl. Bonaventura empfangt die Gesandten des Kaisers
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Der_Hl._Bonaventura_empfangt_die_Gesandten_des_Kaisers
c. 1640-1650
Medium oil on canvas
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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