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Versuchung des Fra Diego de Orgaz
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Versuchung_des_Fra_Diego_de_Orgaz
c. 1639
Medium Oil on canvas
Dimensions Deutsch: 290 x 222 cm
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Lorenzo
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Lorenzo
Oil on canvas
Dimensions Deutsch: 60 x 79 cm
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Hugo im Kartauserkloster
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Hugo_im_Kartauserkloster
1630-1635
Medium oil on canvas
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Portrat des Fra Gonzalo de Illescas
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Portrat_des_Fra_Gonzalo_de_Illescas
1639(1639)
Medium oil on canvas
Dimensions Deutsch: 290 x 222 cm
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Hl. Casilda von Toledo
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Hl._Casilda_von_Toledo
c. 1640
Medium oil on canvas
Dimensions Deutsch: 184 x 90 cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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