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Detail from Saint Luke as a Painter before Christ on the Cross. Widely believed to be a self-portrait
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Detail_from_Saint_Luke_as_a_Painter_before_Christ_on_the_Cross._Widely_believed_to_be_a_self-portrait
1635-1640
Medium oil on canvas
Dimensions Deutsch: 105 X 84 cm
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Saint Apollonia
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Saint_Apollonia
1636
Type Oil on canvas
Dimensions 113 cm x 66 cm
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St Anthony Abbot
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St_Anthony_Abbot
after 1640(1640)
Medium oil on canvas
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Appolonia
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Appolonia
first half of 17th century
Medium oil on canvas
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Tiago Maior
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Tiago_Maior
1633(1633)
Medium oil on canvas
Dimensions 217.5 X 111 cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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