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Joao Evangelista
new26/Francisco de Zurbaran-969883.jpg
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Joao_Evangelista
1633(1633)
Medium oil on canvas
Dimensions 218 X 111.5 cm
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Agnus Dei
new26/Francisco de Zurbaran-438554.jpg
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Agnus_Dei
between 1635(1635) and 1640(1640)
Medium oil on canvas
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Sao Bartolomeu
new26/Francisco de Zurbaran-485749.jpg
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Sao_Bartolomeu
1633(1633)
Medium oil on canvas
Dimensions 218 X 111.5 cm
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Sao Andre
new26/Francisco de Zurbaran-499637.jpg
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Sao_Andre
1633(1633)
Medium oil on canvas
Dimensions 218 X 111.5 cm
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Sao Tiago Menor
new26/Francisco de Zurbaran-956537.jpg
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Sao_Tiago_Menor
1633(1633)
Medium oil on canvas
Dimensions 217 X 111.5 cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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