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The Siege of Pskov by the troops of stephen batory,King of Poland
new12/Karl Briullov-998439.jpg
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The_Siege_of_Pskov_by_the_troops_of_stephen_batory,King_of_Poland
mk149
1839-43
Oil on canvas
482x675cm
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Portrait of Countess yula Samoilova with her adopted daughter amicilia pacini
new12/Karl Briullov-388562.jpg
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Portrait_of_Countess_yula_Samoilova_with_her_adopted_daughter_amicilia_pacini
mk149
Not later than 1842
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Portrait of the Shishmariov Sisters
new12/Karl Briullov-766226.jpg
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Portrait_of_the_Shishmariov_Sisters
mk149
1839
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Portrait of Michelangelo Lanci
new12/Karl Briullov-582242.jpg
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Portrait_of_Michelangelo_Lanci
mk149
1851
Oil on canvas
61.8x49.5cm
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Christ in Majesty
new12/Karl Briullov-459828.jpg
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Christ_in_Majesty
mk149
1843-47
Oil on canvas
Tondo,Diameter 65cm
Russian Museum
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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