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Portrait of Gaand Duchess Yelena Pavlovna with her daughter
new12/Karl Briullov-363848.jpg
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Portrait_of_Gaand_Duchess_Yelena_Pavlovna_with_her_daughter
mk149
1830
Oil on canvas
265x185cm
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Scene on the threshold of a church
new12/Karl Briullov-373893.jpg
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Scene_on_the_threshold_of_a_church
mk149
1827
Watercolour on paper
23x17cm
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Confession of an italian woman
new12/Karl Briullov-672983.jpg
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Confession_of_an_italian_woman
mk149
1827-30
Watercolour on paper
26.2x18.7cm
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At the Madonna-s oak
new12/Karl Briullov-857466.jpg
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At_the_Madonna-s_oak
mk149
1835
Oil on canvas
61x74cm
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Merry-Making in albano
new12/Karl Briullov-256992.jpg
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Merry-Making_in_albano
mk149
1830-33
Watercolour on paper
20.4x16.5cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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