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Portrait of Anna Schwarz
new12/Karl Briullov-778238.jpg
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Portrait_of_Anna_Schwarz
mk149
1833-35
Watercolour on cardboard
21.3x16.5cm
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Portrait of Maria Kikina
new12/Karl Briullov-896827.jpg
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Portrait_of_Maria_Kikina
mk149
1821-22
Oil on canvas
82.6x71.7cm
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Portait of Kirrill and Maria Naryshkin
new12/Karl Briullov-759926.jpg
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Portait_of_Kirrill_and_Maria_Naryshkin
mk149
1827
Watercolour on paper
44.1x35.4cm
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Portrait of Olga davydova with Her Daughter Natalia
new12/Karl Briullov-722269.jpg
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Portrait_of_Olga_davydova_with_Her_Daughter_Natalia
mk149
1834
Oil on canvas
195x126cm
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Portrait of Alexander Lovo
new12/Karl Briullov-965782.jpg
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Portrait_of_Alexander_Lovo
mk149
1824
Oil on canvas
62.3x49.5cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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