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Pilgrims in the Roorway of The Lateran Basilica
new12/Karl Briullov-966698.jpg
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Pilgrims_in_the_Roorway_of_The_Lateran_Basilica
mk149
1825
Oil on canvas
62.7x53.6cm
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Pilgrims in the Doorway of a Church
new12/Karl Briullov-238754.jpg
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Pilgrims_in_the_Doorway_of_a_Church
mk149
1825
Oil on paper
20.4x16.2cm
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Numa Pompilius and the nymph egera
new12/Karl Briullov-259258.jpg
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Numa_Pompilius_and_the_nymph_egera
mk149
1834
Oil on paper
28.5x36cm
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Erminla with the Shepherds
new12/Karl Briullov-989789.jpg
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Erminla_with_the_Shepherds
mk149
1824
Oil on canvas
98.2x137.3cm
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Hylas and Nymphs
new12/Karl Briullov-837667.jpg
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Hylas_and_Nymphs
mk149
Oil on canvas
22.4x27.5cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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